FAQ

Do you only work with non-scripted projects?

Yes. My practice focuses specifically on non-scripted film, television and commercial projects, from development through delivery.

When should a producer involve a lawyer?

Ideally during development—before concepts are pitched, shopped, or exposed to networks. Early legal work prevents issues that are expensive or impossible to fix later.

What is development readiness?

It’s a flat-fee legal engagement designed to prepare non-scripted projects for pitching and packaging. It covers rights structuring, development agreements, and early risk identification.

Can development readiness work scale into production support?

Yes. Development engagements are designed to transition seamlessly into production and delivery support as projects move forward.

Do you handle network delivery?

Yes. I assist with chain of title review, clearance coordination, and network-facing legal requirements.

Do you handle disputes or litigation?

My practice focuses on transactional and production counsel work. Litigation or extraordinary matters are handled separately or referred as appropriate.

FAQ for On-Screen Talent

Do I really need a lawyer for a reality or influencer deal?

Yes. These agreements often control your name, likeness, future work, and online activity long after filming ends.

I was told “this is non-negotiable.” Is that true?

Not usually. Many terms are negotiable—even when compensation isn’t.

Can I review a contract without starting a fight?

Yes. Most issues for an entertainment lawyer can be addressed professionally and without slowing production.

What’s the biggest mistake influencers make with TV deals?

Underestimating exclusivity, brand restrictions, and long-term rights.

Will reviewing my deal delay production?

No. Legal review is typically fast and aligned with production timelines.

Can you negotiate for me, or just review?

Both. Representation can include review-only or active negotiation, depending on the situation.

Can you represent me if you also work with producers?

Yes—with limits. I do not represent both talent and producers on the same project, and all matters are subject to conflict checks.